This series marks the beginning of a photographic language developed from the need to expand beyond direct representation.

Centered on the relationship between the urban fabric of Caracas and the constant presence of El Ávila, the work explores how the mountain acts as a structural element that organizes the perception of space. The panoramic view introduces a new perspective into everyday experience.

The image is fragmented and reconstructed through multiple captures, where spatial depth is built through the distribution of visual planes.

This approach establishes fragmentation not as an effect, but as a structural principle, where the image operates as a constructed space rather than a fixed view.