I am a visual artist and mountaineer whose practice explores abstract geometry, perceptual systems, and photographic assemblages as ways of investigating the behavior of natural and constructed phenomena. My sustained engagement with mountain environments is central to my work, shaping both the recurring presence of nature and my interest in forces such as pressure, tension, propagation, deformation, and instability.

Rather than representing landscapes or spaces, I construct systems that translate their internal behavior into perceptual experiences. These systems operate at the threshold between order and disorganization, where structure is driven toward critical states of high visual intensity. Error and chance are integrated as active variables, allowing the work to vibrate, deform, and approach controlled collapse without losing coherence.

Movement plays a fundamental role in my practice, not as a mechanical feature but as a perceptual condition. The works exist at rest and become activated through the viewer’s displacement, generating optical vibrations, spatial undulations, and shifts in visual tension. Kineticism emerges from the relationship between structure, material, and the body of the observer.

Alongside abstract and modular systems, I develop photographic assemblages in which photography is treated as spatial material rather than a flat image or document. Starting from photographs taken directly from the environment, I reorganize selected elements into layered, three-dimensional structures that preserve the logic of the place while introducing a new spatial reading. These works require physical traversal and introduce depth, parallax, and time into the photographic experience.

Across all media, I work with durable materials to fix unstable perceptual states, preserving their intensity over time. Texture, irregularity, and material variation are integral to the process, shifting geometry away from industrial perfection toward a more embodied and experiential relationship with form.

My practice unfolds as an ongoing investigation into how structured systems can reproduce complex behaviors and how perception itself becomes the site where movement, transformation, and instability are revealed.